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An ardent steward of the land, fearless traveller and unrivalled
observer of nature and culture, Barry Lopez died after a long
illness on Christmas Day in 2020. The previous summer, a wildfire
had consumed much of what was dear to him in his home and the
community around it - a tragic reminder of the climate change of
which he'd long warned. At once a cri de Coeur and a memoir of both
pain and wonder, this remarkable collection of essays adds
indelibly to Lopez's legacy, and includes previously unpublished
works, some written in the months before his death. They unspool
memories, both personal and political, among them tender, sometimes
painful stories of his childhood in New York and California,
reports from expeditions to study animals and sea life,
recollections of travels to Antarctica and other extraordinary
places on earth, and mediations on finding oneself amid vast,
dramatic landscapes. He reflects on those who taught him, including
Indigenous elders and scientific mentors who sharpened his eye for
the natural world. We witness poignant returns from his travels to
the sanctuary of his Oregon backyard and in prose of searing
candour, he reckons with the cycle of life, including own and - as
he has done throughout his career - with the dangers the earth and
its people are facing. With an introduction by Rebecca Solnit that
speaks to Lopez's keen attention to the world, including its
spiritual dimensions, Embrace Fearlessly the Burning World opens
our minds and sounds to the important of being wholly present to
the beauty and complexity of life.
In 1981, Rebecca Solnit rented a studio apartment in San Francisco,
her home for the next twenty-five years. There she began the
process of forging a voice in a society that preferred women to be
silent. Liberated by West Coast activism, growing gay pride and
punk rock, she broke through oppression and over time transformed
into a writer and activist who speaks for the marginalised -
galvanised to use her own voice for change. Recollections of My
Non-Existence is the landmark memoir from a voice of a generation,
and a rally cry for generations to come.
A landmark, incendiary collection from one of the leading essayists
working today. Inspiring everyone from radical activists to
Beyoncé Knowles, Rebecca Solnit's essay 'Men Explain Things to Me'
has become a touchstone of the feminist movement and established
her as one of the leading thinkers of our time. Here it is
collected along with the best of Solnit's feminist writings. From
French sex scandals to the nuclear family, rape culture to
mansplaining, Virginia Woolf to colonialism, these essays are a
fierce and incisive exploration of the issues that a patriarchal
culture will not necessarily acknowledge as 'issues' at all. With
grace, wit and energy, and in the most exquisite and inviting of
prose, Rebecca Solnit proves herself a vital leading figure of the
feminist movement and a radical, humane thinker. 'Solnit is a
compelling writer with a glorious turn of phrase' Evening Standard
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The Last Man
Mary Shelley; Introduction by John Havard; Foreword by Rebecca Solnit
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R523
R399
Discovery Miles 3 990
Save R124 (24%)
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Londoners Reni Eddo-Lodge and Emma Watson are collaborating with
author Rebecca Solnit and geographer Joshua Jelly-Schapiro to
reimagine London's classic tube map. The new public history project
'City of London Women' will redraw Transport for London's classic
underground map by naming each stop after a woman, non-binary
person or a group. By consulting with artists, historians,
community organizers and others through an open call, the project
aims to identify remarkable female or non-binary Londoners who have
had an impact on the city's history in some way. It will allocate
them to each of the stations depicted on the London tube map
according to their connections to a local area. Some of these
people might be household names, others might be unsung heroes or
figures from London's hidden histories. The names might be drawn
from arts, civil society, business, politics, sport and so on.
Attractively produced and packaged as a large poster map, this will
be an ideal gift item that will find a place in museums and art
stores as well as bookshops across London and beyond.
A reissue of the profound and meandering modern classic about the
historical, political and philosophical paths traced by walkers.
What does it mean to be out walking in the world? From pilgrimages
to protest marches, mountaineering to meandering, this modern
classic weaves together numerous histories to trace a range of
possibilities for this most basic act. Touching on the philosophers
of Ancient Greece, the Romantic poets, Jane Austen's Elizabeth
Bennett, Andre Breton's Nadja, and more, Rebecca Solnit considers
what forms of pleasure and freedom walkers have sought at different
times. Profound and provocative, Wanderlust invites us to look
afresh at the rich, varied, often radical interplay of the body,
the imagination, and the world when walking. "Radical, humane,
witty, sometimes wonderfully dandyish, at other times, impassioned
and serious" - Alain de Botton
An energizing case for hope about the climate, from Rebecca Solnit
("the voice of the resistance"-New York Times), climate activist
Thelma Young Lutunatabua, and a chorus of voices calling on us to
rise to the moment. Not Too Late is the book for anyone who is
despondent, anxious, or unsure about climate change and seeking
answers. As the contributors to this volume make clear, the future
will be decided by whether we act in the present-and we must act to
counter institutional inertia, fossil fuel interests, and political
obduracy. These dispatches from the climate movement around the
world feature the voices of organizers like Guam-based lawyer and
writer Julian Aguon; climate scientists like Dr. Jacquelyn Gill and
Dr. Edward Carr; poets like Marshall Islands activist Kathy
Jetnil-Kijner; and longtime organizers like The Tyranny of Oil
author Antonia Juhasz and Emergent Strategy author adrienne maree
brown. Guided by Rebecca Solnit's typical clear-eyed wisdom and
enriched by illustrations, Not Too Late leads readers from
discouragement to possibilities, from climate despair to climate
hope. Contributors include Julian Aguon, Jade Begay, adrienne maree
brown, Edward Carr, Renato Redantor Constantino, Joelle Gergis,
Jacquelyn Gill, Mary Annaise Heglar, Mary Ann Hitt, Roshi Joan
Halifax, Nikayla Jefferson, Antonia Juhasz, Kathy Jetnil Kijiner,
Fenton Lutunatabua & Joseph `Sikulu, Yotam Marom, Denali
Nalamalapu, Leah Stokes, Farhana Sultana, and Gloria Walton.
In this investigation into loss, losing and being lost, Rebecca
Solnit explores the challenges of living with uncertainty. A Field
Guide to Getting Lost takes in subjects as eclectic as memory and
mapmaking, Hitchcock movies and Renaissance painting. Beautifully
written, this book combines memoir, history and philosophy,
shedding glittering new light on the way we live now.
'I loved this book... An exhilarating romp through Orwell's life
and times' Margaret Atwood 'Expansive and thought-provoking'
Independent Outside my work the thing I care most about is
gardening - George Orwell Inspired by her encounter with the
surviving roses that Orwell is said to have planted in his cottage
in Hertfordshire, Rebecca Solnit explores how his involvement with
plants, particularly flowers, illuminates his other commitments as
a writer and antifascist, and the intertwined politics of nature
and power. Following his journey from the coal mines of England to
taking up arms in the Spanish Civil War; from his prescient
critique of Stalin to his analysis of the relationship between lies
and authoritarianism, Solnit finds a more hopeful Orwell, whose
love of nature pulses through his work and actions. And in her
dialogue with the author, she makes fascinating forays into
colonial legacies in the flower garden, discovers photographer Tina
Modotti's roses, reveals Stalin's obsession with growing lemons in
impossibly cold conditions, and exposes the brutal rose industry in
Colombia. A fresh reading of a towering figure of the 20th century
which finds solace and solutions for the political and
environmental challenges we face today, Orwell's Roses is a
remarkable reflection on pleasure, beauty, and joy as acts of
resistance. 'Luminous...It is efflorescent, a study that seeds and
blooms, propagates thoughts, and tends to historical associations'
New Statesman 'A genuinely extraordinary mind, whose curiosity,
intelligence and willingness to learn seem unbounded' Irish Times
In times of crisis, when institutions of power are laid bare,
people turn to one another. Pandemic Solidarity collects firsthand
experiences from around the world of people creating their own
narratives of solidarity and mutual aid in the time of the global
crisis of Covid-19. The world’s media was quick to weave a
narrative of selfish individualism, full of empty supermarket
shelves and con-men. However, if you scratch the surface, you find
a different story of community and self-sacrifice. Looking at
eighteen countries and regions, including India, Rojava, Taiwan,
South Africa, Iraq and North America, the personal accounts in the
book weave together to create a larger picture, revealing a
universality of experience - a housewife in Istanbul supports her
neighbour in the same way as a teacher in Argentina, a punk in
Portland, and a disability activist in South Korea does. Moving
beyond the present, these stories reveal what an alternative
society could look like, and reflect the skills and relationships
we already have to create that society, challenging institutions of
power that have already shown their fragility.
Shortlisted for the James Tait Black Prize for Biography Longlisted
for The Orwell Prize for Political Writing An electric portrait of
the artist as a young woman that asks how a writer finds her voice
in a society that prefers women to be silent, from the author of
Orwell's Roses In Recollections of My Nonexistence, Rebecca Solnit
describes her formation as a writer and as a feminist in 1980s San
Francisco, in an atmosphere of gender violence on the street and
throughout society and the exclusion of women from cultural arenas.
She tells of being poor, hopeful, and adrift in the city that
became her great teacher, and of the small apartment that, when she
was nineteen, became the home in which she transformed herself. She
explores the forces that liberated her as a person and as a
writer--books themselves; the gay community that presented a new
model of what else gender, family, and joy could mean; and her
eventual arrival in the spacious landscapes and overlooked
conflicts of the American West. Beyond being a memoir, Solnit's
book is also a passionate argument: that women are not just
impacted by personal experience, but by membership in a society
where violence against women pervades. Looking back, she describes
how she came to recognize that her own experiences of harassment
and menace were inseparable from the systemic problem of who has a
voice, or rather who is heard and respected and who is
silenced--and how she was galvanized to use her own voice for
change.
Beginning with the election of Donald Trump ("The Loneliest Man in
the World") and expanding back and forth into American history,
surveillance, violence against the individual, the denormalizing of
misogyny and the rehumanizing of public space. The ultimate focus
of the book is climate and feminist activism, bringing Solnit's
trademark deep analysis to bear on a range of contemporary crises.
And again, and spectacularly, she shows us how to hope.
"One of the Best Books of the 21st Century." --The Guardian "No
writer has better understood the mix of fear and possibility, peril
and exuberance that's marked this new millennium." --Bill McKibben
"An elegant reminder that activist victories are easily forgotten,
and that they often come in extremely unexpected, roundabout ways."
--The New Yorker A book as powerful and influential as Rebecca
Solnit's Men Explain Things to Me, her Hope in the Dark was written
to counter the despair of radicals at a moment when they were
focused on their losses and had turned their back to the victories
behind them--and the unimaginable changes soon to come. In it, she
makes a radical case for hope as a commitment to act in a world
whose future remains uncertain and unknowable. Drawing on her
decades of activism and a wide reading of environmental, cultural,
and political history, Solnit argued that radicals have a long,
neglected history of transformative victories, that the positive
consequences of our acts are not always immediately seen, directly
knowable, or even measurable, and that pessimism and despair rest
on an unwarranted confidence about what is going to happen next.
Now, with a moving new introduction explaining how the book came
about and a new afterword that helps teach us how to hope and act
in our unnerving world, she brings a new illumination to the
darkness of 2016 in an unforgettable new edition of this classic
book. Writer, historian, and activist Rebecca Solnit is the author
of eighteen or so books on feminism, western and indigenous
history, popular power, social change and insurrection, wandering
and walking, hope and disaster, including the books Men Explain
Things to Me and Hope in the Dark, both also with Haymarket; a
trilogy of atlases of American cities; The Faraway Nearby; A
Paradise Built in Hell: The Extraordinary Communities that Arise in
Disaster; A Field Guide to Getting Lost; Wanderlust: A History of
Walking; and River of Shadows, Eadweard Muybridge and the
Technological Wild West (for which she received a Guggenheim, the
National Book Critics Circle Award in criticism, and the Lannan
Literary Award). A product of the California public education
system from kindergarten to graduate school, she is a columnist at
Harper's and a regular contributor to the Guardian.
"The freshest, deepest, most optimistic account of human nature
I've come across in years."
-Bill McKibben
The most startling thing about disasters, according to
award-winning author Rebecca Solnit, is not merely that so many
people rise to the occasion, but that they do so with joy. That joy
reveals an ordinarily unmet yearning for community, purposefulness,
and meaningful work that disaster often provides. "A Paradise Built
in Hell" is an investigation of the moments of altruism,
resourcefulness, and generosity that arise amid disaster's grief
and disruption and considers their implications for everyday life.
It points to a new vision of what society could become-one that is
less authoritarian and fearful, more collaborative and local.
This slim book--seven essays, punctuated by enigmatic, haunting
paintings by Ana Teresa Fernandez--hums with power and wit.--Boston
Globe The antidote to mansplaining.--The Stranger Feminist,
frequently funny, unflinchingly honest and often scathing in its
conclusions.--Salon Solnit tackles big themes of gender and power
in these accessible essays. Honest and full of wit, this is an
integral read that furthers the conversation on feminism and
contemporary society.--San Francisco Chronicle Top Shelf Solnit
[is] the perfect writer to tackle the subject: her prose style is
so clear and cool.--The New Republic The terrain has always felt
familiar, but Men Explain Things To Me is a tool that we all need
in order to find something that was almost lost.--National Post In
her comic, scathing essay, Men Explain Things to Me, Rebecca Solnit
took on what often goes wrong in conversations between men and
women. She wrote about men who wrongly assume they know things and
wrongly assume women don't, about why this arises, and how this
aspect of the gender wars works, airing some of her own hilariously
awful encounters. This updated edition with two new essays of this
national bestseller book features that now-classic essay as well as
#YesAllWomen, an essay written in response to 2014 Isla Vista
killings and the grassroots movement that arose with it to end
violence against women and misogyny, and the essay Cassandra
Syndrome. This book is also available in hardcover. Writer,
historian, and activist Rebecca Solnit is the author of eighteen or
so books on feminism, western and indigenous history, popular
power, social change and insurrection, wandering and walking, hope
and disaster, including the books Men Explain Things to Me and Hope
in the Dark, both also with Haymarket; a trilogy of atlases of
American cities; The Faraway Nearby; A Paradise Built in Hell: The
Extraordinary Communities that Arise in Disaster; A Field Guide to
Getting Lost; Wanderlust: A History of Walking; and River of
Shadows, Eadweard Muybridge and the Technological Wild West (for
which she received a Guggenheim, the National Book Critics Circle
Award in criticism, and the Lannan Literary Award). A product of
the California public education system from kindergarten to
graduate school, she is a columnist at Harper's and a regular
contributor to the Guardian.
At a time when political, environmental and social gloom can seem
overpowering, this remarkable book offers a lucid, affirmative and
well-argued case for hope. This exquisite work traces a history of
activism and social change over the past five decades - from the
fall of the Berlin Wall to the worldwide marches against the war in
Iraq. Hope in the Dark is a paean to optimism in the uncertainty of
the twenty-first century. Tracing the footsteps of the last
century's thinkers - including Woolf, Gandhi, Borges, Benjamin and
Havel - Solnit conjures a timeless vision of cause and effect that
will light our way through the dark, and lead us to profound and
effective political engagement.
In her comic, scathing essay "Men Explain Things to Me," Rebecca
Solnit took on what often goes wrong in conversations between men
and women. She wrote about men who wrongly assume they know things
and wrongly assume women don't, about why this arises, and how this
aspect of the gender wars works, airing some of her own hilariously
awful encounters.
She ends on a serious note-- because the ultimate problem is the
silencing of women who have something to say, including those
saying things like, "He's trying to kill me "
This book features that now-classic essay with six perfect
complements, including an examination of the great feminist writer
Virginia Woolf 's embrace of mystery, of not knowing, of doubt and
ambiguity, a highly original inquiry into marriage equality, and a
terrifying survey of the scope of contemporary violence against
women.
"The maps themselves are things of beauty...a document of its time,
of our time." -Sadie Stein, New York Times "One is invited to
fathom the many New Yorks hidden from history's eye...thoroughly
terrific." -Maria Popova, Brain Pickings Nonstop Metropolis, the
culminating volume in a trilogy of atlases, conveys innumerable
unbound experiences of New York City through twenty-six imaginative
maps and informative essays. Bringing together the insights of
dozens of experts-from linguists to music historians,
ethnographers, urbanists, and environmental journalists-amplified
by cartographers, artists, and photographers, it explores all five
boroughs of New York City and parts of nearby New Jersey. We are
invited to travel through Manhattan's playgrounds, from polyglot
Queens to many-faceted Brooklyn, and from the resilient Bronx to
the mystical kung fu hip-hop mecca of Staten Island. The
contributors to this exquisitely designed and gorgeously
illustrated volume celebrate New York City's unique vitality, its
incubation of the avant-garde, and its literary history, but they
also critique its racial and economic inequality, environmental
impact, and erasure of its past. Nonstop Metropolis allows us to
excavate New York's buried layers, to scrutinize its political
heft, and to discover the unexpected in one of the most iconic
cities in the world. It is both a challenge and homage to how New
Yorkers think of their city, and how the world sees this capital of
capitalism, culture, immigration, and more. Contributors: Sheerly
Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler,
Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju
Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo
Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu
Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante,
Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T.
Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter
Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA
"The maps themselves are things of beauty."-The New York Times
Explore the hidden histories of San Francisco, New Orleans, and New
York with this brilliant reinvention of the traditional atlas. From
Rebecca Solnit, Rebecca Snedeker, and Joshua Jelly-Schapiro. In the
past decade, Rebecca Solnit-aided by local writers, artists,
historians, urbanists, ethnographers, and cartographers-has
compiled three stunning atlases that have radically changed the way
we think about place. Each atlas provides a vivid, complex look at
the multi-faceted nature of a city as experienced by its different
inhabitants, replete with the celebrations and contradictions that
make up urban life. This three-volume paperback set contains: The
original, gorgeously designed atlases-Infinite City: A San
Francisco Atlas; Unfathomable City: A New Orleans Atlas; and
Nonstop Metropolis: A New York City Atlas Three new and updated,
full-color, fold-out posters for each city, including the popular
"City of Women" map A new and thoughtful essay by Rebecca Solnit
reflecting on the project ten years after the publication of the
first atlas A stunning collection, this boxed set is a perfect
treasury of imagination and insight, a rich people's history of
these infinite cities.
Finalist for the National Book Critics Circle Award for Nonfiction
Finalist for the PEN/Jacqueline Bograd Weld Award for Biography "An
exhilarating romp through Orwell's life and times and also through
the life and times of roses." -Margaret Atwood "A captivating
account of Orwell as gardener, lover, parent, and endlessly curious
thinker." -Claire Messud, Harper's "Nobody who reads it will ever
think of Nineteen Eighty-Four in quite the same way." -Vogue A lush
exploration of politics, roses, and pleasure, and a fresh take on
George Orwell as an avid gardener whose political writing was
grounded by his passion for the natural world "In the spring of
1936, a writer planted roses." So be-gins Rebecca Solnit's new
book, a reflection on George Orwell's passionate gardening and the
way that his involvement with plants, particularly flowers,
illuminates his other commitments as a writer and antifascist, and
on the intertwined politics of nature and power. Sparked by her
unexpected encounter with the roses he reportedly planted in 1936,
Solnit's account of this overlooked aspect of Orwell's life
journeys through his writing and his actions-from going deep into
the coal mines of England, fighting in the Spanish Civil War,
critiquing Stalin when much of the international left still
supported him (and then critiquing that left) to his analysis of
the relationship between lies and authoritarianism. Through
Solnit's celebrated ability to draw unexpected connections, readers
are drawn onward from Orwell's own work as a writer and gardener to
encounter photographer Tina Modotti's roses and her politics,
agriculture and illusion in the USSR of his time with forcing
lemons to grow in impossibly cold conditions, Orwell's slave-owning
ancestors in Jamaica, Jamaica Kincaid's examination of colonialism
and imperialism in the flower garden, and the brutal rose industry
in Colombia that supplies the American market. The book draws to a
close with a rereading of Nineteen Eighty-Four that completes
Solnit's portrait of a more hopeful Orwell, as well as offering a
meditation on pleasure, beauty, and joy as acts of resistance.
Like the bestselling Infinite City: A San Francisco Atlas, this
book is a brilliant reinvention of the traditional atlas, one that
provides a vivid, complex look at the multi-faceted nature of New
Orleans, a city replete with contradictions. More than twenty
essays assemble a chorus of vibrant voices, including geographers,
scholars of sugar and bananas, the city's remarkable musicians,
prison activists, environmentalists, Arab and Native voices, and
local experts, as well as the coauthors' compelling contributions.
Featuring 22 full-color two-page-spread maps, Unfathomable City
plumbs the depths of this major tourist destination, pivotal scene
of American history and culture and, most recently, site of
monumental disasters such as Hurricane Katrina and the BP oil
spill. The innovative maps' precision and specificity shift our
notions of the Mississippi, the Caribbean, Mardi Gras, jazz, soils
and trees, generational roots, and many other subjects, and expand
our ideas of how any city is imagined and experienced. Together
with the inspired texts, they show New Orleans as both an imperiled
city - by erosion, crime, corruption, and sea level rise - and an
ageless city that lives in music as a form of cultural resistance.
Compact, lively, and completely original, Unfathomable City takes
readers on a tour that will forever change the way they think about
place.
The iconic 20" x 20" "City of Women" map, updated for 2019 with
dozens of new NYC icons including Alexandria Ocasio-Cortez, Cardi
B, and all the All-Girl Robotics Teams of the Bronx. "How does it
impact our imaginations that so many places in so many cities are
named after men and so few after women? What kind of landscape do
we move through when streets and parks and statues and bridges are
gendered-Astor Place, Lafayette Street, Madison Avenue, Lincoln
Center, Washington Square, the Frick, Rockefeller Center, Penn
Station, the Bronx, the Hudson-and it's usually one gender, and not
another? What kind of silence arises in places that so seldom speak
of and to women? This map was made to sing the praises of the
extraordinary women who have, since the beginning, been shapers and
heroes of this city that has always been, secretly, a City of
Women. And why not the subway? This is a history still emerging
from underground, a reminder that it's all connected, and that we
get around." -Rebecca Solnit Cartography by Molly Roy. Design by
Lia Tjandra. Adapted from the original NYC Subway Map.
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